ELAGABALO, 218-222 d.C., BRONZO, Emissione: 218-222 d.C., Zecca di Edessa (Mesopotamia), Rif. bibl. B.M.C., 28,55; Sear, 3141; Metallo: AE, gr. 14,95, (MR40863), BB, (NC)
Impero Romano, Mesopotamia, ELAGABALO, 218-222 d.C., BRONZO, Emissione: 218-222 d.C., D/ AVT K M AV ANTΩNEINOC, busto laureato, corazzato e paudato a destra, R/ MAΡ AVΡ ANT KOΛ EΔECCA, la dea della Città (Tyche) turrita seduta su rocce a sinistra, regge un ramoscello con la mano destra; sotto: dio del fiume (Oronte) nuota a destra, Zecca di Edessa*, Rif. bibl. B.M.C., 28,55; Sear, 3141; Metallo: AE, gr. 14,95, (MR40863), BB, (NC)
* Città della Mesopotamia del nord (oggi Urfa in turco; arabo ar-Ruhā) presso il fiume Belīkh, antico Balicha. Essa deve il suo nome a quello della città macedone omonima, che le fu imposto da Seleuco I. Dal nome indigeno, Orhai, deriva quello del regno di cui essa fu capitale, l'Orrhoene o Osroene; la forma araba e quella turca ne sono alterazioni. Sede della dinastia, di origine araba, che s'insediò nell'Osroene col decadere dei Seleucidi (metà del II secolo a.C.), fu successivamente sotto la supremazia dei Parti e dei Romani, ed ebbe parte importante nelle guerre tra questi ultimi e i Sāsānidi. Da Edessa si diffusero la lingua e la letteratura siriache, favorite dall'espandersi del cristianesimo, il quale, penetratovi per tempo, fu dichiarato religione di stato dal re Abgar IX. Presa dai Persiani nel 608, fu ripresa da Eraclio tra il 622 e il 629, ma cadde poco dopo in potere degli Arabi (638 o 639), e fu a lungo disputata fra essi e i Bizantini, che l'assediarono più volte e nel 1031 la occuparono. Riperduta e ripresa, fu poi espugnata da Baldovino di Fiandra e divenne sede del suo principato; ma nel 1144 ricadde in mano dei musulmani. Nel 1637 fu occupata dai Turchi ottomani.
One important aspect that determines the value of a coin is the correct grading of it. For this reason we study the techniques of production, carefully analyzing each exemplar by powerful lenses and microscope if necessary.
We use the European system of grading for our coins, ranging from VG (Very Good) to BU (Brilliant Uncirculated).
Shown below is the system adopted with a brief description for each grade.
VG Very Good · F Fine · VF Very Fine · EF Extremely Fine · BU Brilliant Uncirculated.
Proof isn't properly a grade but a special method of production. In the histogram present in the data sheet of each exemplar is graphically reported the level of the grade. It's adopted a grading in seventieths to help the Asian and American collectors accustomed to the Sheldon Grading System.
Another notable aspect in determining the value of a coin is the rarity. Coins have been produced in great quantity since ancient times and, being "industrial products", they're often common objects. But in many cases, this isn't true.
There are exemplars very difficult to find; in some cases, the rarity is subordinated to the big demand of collectors for certain symbolical issues (e.g. the coins of Julius Caesar). In the histogram, the level of rarity of the item is graphically reported in percentage, from a low percentage for very common coins (C) to 100% for extremely rare ones (RRRRR).
C Common · NC Not common · R Rare · RR Very rare · RRR Particularly rare · RRRR Extremely rare · RRRRR Of the greatest rarity.
Also the quality and the visual aspect of a coin's metal is a key factor in rating it. The metal of a coin can be damaged by the time goes on. Sometimes the defects can be caused by the low quality metal used during the minting process, or by an improper cleaning or a bad restoration.
Another aspect examined in this parameter is the patina, if present. With time, a thin layer can appear on the surface of a coin. An old collection patina can increase the charm of a coin and its value. The original old patinas attract the collectors. We remark the adjective original because in many cases the patinas are artificial. Artificial patinas or modern oxidations will result in a lower rating. Aggressive polishing can damage the metal of a coin causing a low rating.
For the ancient coins, the style of the coin dies used for the minting is really important.
Coins with a coarse style will receive a low rating in the histogram. Otherwise, coins with a fine style will receive a higher evaluation up to the maximum for the most artistic ones.
In the evaluation of the coins, especially the hammered ancient ones, it is very important to examine deeply the process of production and the materials used.
Exemplars minted in a large, not fractured flan and well centered will receive a high rating. Coins with high reliefs will receive a high evaluation reported in the histogram.
On the contrary, exemplars with damaged flan, not centered and with low reliefs will receive a lower rating. The same importance is reserved for the production with not worn out or not rusted coin dies.
Another significant element to take in consideration when determining the value of a coin is the provenance or pedigree, that is the certification of the various passages of the coin in the numismatic market and collections.
A coin with an old provenance, sold in prestigious auctions (Santamaria, Leu, Frank Sternberg et al.) or displayed in important collections (A. Moretti, A. Magnaguti, S. Pozzi etc.), will receive a higher percentage in the histogram than another one with a more recent or less prestigious pedigree.
All the coins offered by Moruzzi Numismatica have an absolutely legal provenance registered in the Italian authorities' lists.